Katya Grokhovsky: NOTHING PERSONAL
November 30th 2018 – January 4th 2019
Opening Reception and Performance: November 30th 7-11pm
Artist Talk: December 1st 2018 2-4pm

206 S Ave 20 Los Angeles CA 90031


323 356 4225









 LAST Projects is pleased to announce Nothing Personal, an exhibition by NYC based multidisciplinary artist Katya Grokhovsky, which explores the construct of femininity, gender and identity through sculpture, video, painting and performance. Revolving around various fictional personas and their belongings, costumes and habitats, Nothing Personal highlights the absurdity and generalization of stereotypes, assumptions and prejudice in our current political climate.

Utilizing found and bought consumer goods and materials, juxtaposing them with paint, paper, toys, clothing and performative gestures, live and for video, Grokhovsky‘s works occupy the liminal space between kitsch and grotesque, examining power and labor hierarchies. Subverting the male gaze through humor, the exhibition underscores the persistence of patriarchal control of the female identified body, lifestyle choices, appearance, health and sexuality.

Katya Grokhovsky was born in Ukraine, raised in Australia and is based in NYC. She is an artist, curator, educator and a Founding Director of The Immigrant Artist Biennial (TIAB) and Feminist Urgent (FU). Grokhovsky holds an MFA from the School of the Art Institute of Chicago, a BFA from Victorian College of the Arts, Melbourne University, Australia and a BA (Honors) in Fashion from Royal Melbourne Institute of Technology, Australia. Grokhovsky has received support through numerous residencies and fellowships including The Museum of Arts and Design (MAD) Studios Program, NYC, BRICworkspace Residency, NYC, Ox-BOW School of Art Residency, MI, Wassaic Artist Residency, NY, Atlantic Center for the Arts, FL, Studios at MASS MoCA, MA, SOHO20 Gallery Residency, NYC, BRIC Media Arts Fellowship, NYC, VOX Populi AUX Curatorial Fellowship, PA, NARS (New York Residency and Studio Foundation), NYC, Santa Fe Art Institute Residency, NM, Watermill Center Residency, NY and more. She has been awarded the ArtSlant 2017 Prize, Asylum Arts Grant, Dame Joan Sutherland Fund, Australia Council for the Arts ArtStart Grant, Freedman Traveling Scholarship for Emerging Artists, Australia and others. Her work has been exhibited extensively nationally and internationally.





















Karim Shuquem Ghost Prints

Fri Dec 8th 7-11pm



additional hours Saturday December 9th, 3-7pm 



• Der Kunstkammer - Cabinet of Curiosities

• Phantom Limbs 1 and 2 (large ink on paper drawings 
covered in red ghostly limbs)

• Prints!     • Black Cubes!     • Black Goo!

installation done in collaboration with Loto Boll

Karim Shuquem began his artistic career as part of the Los Angeles DIY punk culture in the late 80's in which he published zines, pressed records, and promoted shows. In the 90's, he performed with the situationist Cacophony Society, the industrial/punk group the Boy Scouts of Annihilation, and toured nationally with the pranksterist variety show Circus Redickuless. In 1999 Shuquem lived in Northern California and entered Cal State Hayward as a graphic design student.  and earned a BFA degree in Fine Art as well .

Coinciding with his time in school, Shuquem spent five years as frontman of death rock punk band The Phantom Limbs. Shuquem's visceral expression of existential distress laced with black comedy, along with the hyper-charged and unusual compositions of keyboardist Stevenson Sedgwick helped earn his group the title Best Local Band (S.F. Bay Guardian 2003). After finishing his undergrad studies, and after 220 performances with The Phantom Limbs, including 3 U.S. tours and 2 European tours, Shuquem left the Bay Area to move to Chicago.

In Chicago from 2005 to 2012, Shuquem directed his own art gallery (Reversible Eye) and was artistic director for non-profit The Arts of Life, inc. He was a member of rambunctious circus-punk marching band Mucca Pazza for five years until 2010 when he developed the musical/performance act Loto Ball and toured Europe with it.

Shuquem is a 2017 MFA candidate at Otis College. where he has focused on developing interrelated visual art and performance works. Using the black cube and and black goo, both fetishized by   conspiracy theorists, Ghost prints is an exploration of process ontology, through structures, substances, and Shuquem's querying  of  hierarchies.  "My work considers our human condition, identity, and dehumanization. I think of questions of ability, agency, choice, control and how we relate to each other through structures."